Each of these characters has their own reasons for wanting to find the gun that can kill the past, although the narrative isn't terribly important beyond justifying why a bunch of sentient bullets want to murder you. They're not all that different in playstyle, merely starting out with different sets of weapons and passive items, but one of them has a dog, and so became my go-to. There are four starting characters to choose from, and each has their own strengths. For a top-down shooter, the fact that shooting feels a bit dull is a big problem, and it’s testament to how good the game feels everywhere else that I’ve enjoyed it regardless. The real complaint about the game is that, for all of the wonderful guns, power-ups and flow of combat, actually pulling the trigger on most of the guns feels flat. One gun gets less powerful as the clip drains, while another alternates between spewing fuel and fire. Many of the weapons also have secondary effects or function that you’ll have to factor into your strategies. All of these are essential to the flow of combat, and how you use them will determine how successful you are. Reloading, flipping tables, rolling across the floor. One of the best things about the game is that combat is filled with decisions. The fact that shooting feels a bit dull is a big problem. It means you can have strategies for certain rooms, and none of the encounters feel truly unfair, even if you might feel like some of your deaths are a bit cheesy. The floors of the dungeon – sorry, gungeon – are a series of hand crafted rooms, meaning you start to recognise slight similarities.
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